|
|
 Thoroughly Modern Millie is a high-spirited musical romp that has all of New York dancing the Charleston.
Taking place in New York City in 1922, Thoroughly Modern Millie tells the story of young Millie Dillmount, who has just moved to the city in search of a new life for herself. It's a New York full of intrigue and jazz - a time when women were entering the workforce and the rules of love and social behavior were changing forever. Based on the popular movie, the stage version of Thoroughly Modern Millie includes a full score of new songs and bright dance numbers.
Filled with frisky flappers, dashing leading men and a dragon-lady of a villainess audiences will love to hate, Thoroughly Modern Millie is a perfectly constructed evening of madcap merriment.
Directed by Dorinda Toner, Vocal Direction by Anna Haagenson
Choreography by Sarah Dayley and Jeanna Reed | | | 
Tickets Now Available | |
|
|
The Audition Process
|
|
|
|
|
| Step One: Registration |
Read and Sign the Actor's Responsibility Forms
Complete the Audition form and turn into the production staff when you arrive at auditions. Attach a headshot/photo and additional theatrical resume/bio if available. |
|
| Step Two: Audition |
1. When you are called on to perform, hand
your music to the pianist and give him/her any instructions. Walk to center
stage, and state your name and the name of your audition piece. Sing your
song. (Note: the director may cut you off before
you are finished. This in no way reflects the quality of your performance!
) Retrieve your music from the pianist, and return to the
audience to watch the other auditioners.
2. Small groups will be taught a simple dance and will then perform it for the production staff. |
|
| Step Three: Call Backs |
If you are needed for callbacks, you will be notified while at the audition.
Pick up a short scene and a song from a volunteer before you leave to prepare
for callbacks |
|
| Step Four: The Cast |
The cast list will be posted on the website within a week of auditions
(the date will be identified at auditions) |
|
|
|
|
|
